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n August and September 1979, The Clash recorded London Calling. Produced by Guy Stevens, a former A&R executive who had worked with Mott the Hoople and Traffic, the double album was a mix of punk rock, reggae, ska, rockabilly, traditional rock and roll and other elements possessed of an energy that had hardly flagged since the band's early days and more polished production.[44][45] It is regarded as one of the greatest rock albums ever recorded.[46] Its final track, a relatively straightforward rock and roll number sung by Mick Jones called "Train in Vain", was included at the last minute and thus did not appear in the track listing on the cover. It turned out to be their first US Top 40 hit, peaking at number 23 on the Billboard chart. In the UK, where "Train in Vain" was not released as a single, London Calling's title track, stately in beat but unmistakably punk in message and tone, rose to number 11—the highest position any Clash single reached in the UK before the band's break-up. London Calling reached number 9 on the British chart and number 27 on the US chart. The cover of the album, based on the cover of Elvis Presley's self-titled 1956 debut LP, became one of the best known in the history of rock.[43] Its image of Simonon smashing his bass guitar was later cited as the "best rock 'n roll photograph of all time" by Q magazine.[42] During this period, The Clash began to be regularly billed as "The Only Band That Matters". Musician Gary Lucas, then employed by CBS Records' creative services department, claims to have coined the tagline.[47] The epithet was soon widely adopted by fans and music journalists.[48]
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Hybrid Mode
